Wednesday, July 18
Lesya came in again today, both to carve more waves and to meet with Vince Romaniello, who will be filming her five dances for screening at the opening. She is coming in tomorrow to carve again. I think we might have an addict on our hands! After all, working with your hands is a different kind of dancing.
Siegfried finished (I think) his carved box elder vessel—at least, he finished the bottom of it on the lathe today.
He also finished the Cryptomeria bowl that cracked so badly, making flames where there was damage.
Jean-François and I finished the last of our broken-bowl series. For more control, instead of breaking the bowl, we cut it on a scroll saw.
Here is what the final two vessels look like. The epoxy is still setting on the osage orange bowl in this photo.
Jean-François also started a new series of spalted ash bowls today.
Here is some of what Sean was working on today.
I finished the turning of a tall pear vessel and will carve the lip tomorrow. Interesting that I who have no elegance and no grace can yet create elegance and grace with this sturdy hands. I also cut a wedge from the natural-edge pear bowl I turned yesterday and am waiting to see what happens. And I started a large cherry bowl. No photos, though. Maybe tomorrow.
Altogether, another quiet, intensive work day—and that’s probably what you can expect from us until July 27, when we turn in work for the exhibition. I’ll do what I can to keep it interesting, but here is where the push begins.
Alas, I got no replies to my 4 a.m. cry in the wilderness this morning. Ah, well. Sigh.
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